Small and perfectly formed (and not much bigger than an A4 sheet of paper), this diminuitive MPC is not some compromised little runt of the litter as you might expect. On the contrary, the MPC1000 inherits many of the major features of its older, bigger siblings but in a compact form factor that makes it ideal for carrying around… to your friends, to a gig, to a session… wherever. And it’s a creditable alternative to computer based systems.

As part of its lineage, the MPC1000 features the sixteen characteristic velocity and pressure sensitive pads that have been an established (and essential) component of the MPC series since its inception arguably, they are the best pads on any drum machine past or present!

Also retained is the MPC's legendary 'feel' and 'groove' so that you can be sure that your beats and sequences just swing.

It also features the original MPC60’s intuitive transport and locate controls, the unique NOTE REPEAT function plus new additions such as the two Q-Link sliders that allow real-time interaction with tuning, filter cutoff, layer switching, attack and decay.

Add to these a well established, friendly and intuitive user interface, two separate multi-effects processors (plus a master output effects processor!), resonant multi-mode filters, 4-way sample layering and velocity switching per pad, two MIDI ins and 32 MIDI channels via the two MIDI outputs, multiple audio outputs as standard, footswitch inputs for ‘hands-free’ control and you have most of what you’d expect to find in a rugged, dependable ‘switch on and work’ and ‘out the carton’ solution to computer sequencer headaches.