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Preamp
FOCUSRITE ISA TWO
$1,099

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Two Mic Pre
ISA TWO
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Description

You may only need a couple of mic preamps, but they need to be the very best.

The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs no DI box required.

Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack.

Lundahl LL1538 mic input transformer
Rupert Neve originally chose the Lundahl LL1538 to be the input transformer on the ISA 110. To this day the Lundahl transformer remains the best microphone input transformer available, and is used in every ISA Series mic pre. Rupert Neve also perfected the Zobel network found in the ISA circuit; something which takes a lot of knowledge and a golden set of ears. This allows the ISA mic pre to maintain an extremely flat frequency response across a very wide bandwidth.

Up to 80 dB of gain
ISA Two offers up to 80 dB of clean, distortion-free gain. The much-heralded ISA topology also ensures low-noise even at the highest gain levels. The transformer alone supplies 20 dB of gain, while ISA’s input stage offers up to 60 dB in addition, giving an astonishing 80 dB of maximum gain on the microphone input.

Variable input impedance
Four choices of input impedance, including the original ISA 110 value, allow you to match the preamp to your microphone, even if it's a vintage type, giving you the best possible sound. The impedance is selected using a switch on the front panel, and the impedance choice is remembered even once the unit is switched off and back on.

User-calibrated metering
Each channel has an eight-LED array to clearly display the level of your two signals. You can line up your analogue evels with your converters or DAW by using the calibration knob on the rear panel. You will be safe in the knowledge that you have avoided clipping on the way in.

Front-panel instrument and rear panel line inputs
Two 1/4in jack sockets on the front panel of ISA Two give you instant access to a transparent DI input. TRS line inputs are available on the rear panel too, and you can step through them instantly to select the one you want.

Variable cut-off high-pass filter
Built in, and easily accessed with its own large knob and illuminated button, is an extremely smooth-sounding 18 dB/octave high-pass filter of the same design as the original ISA 110 module. This is ideal for cutting out rumble, thumps and other unwanted low-frequency sounds and with a range of 16 to 420 Hz, it's easy to lose what you don’t want, and keep what you do.

Rear panel balanced inserts
Each channel of ISA Two has its own balanced insert point. With 1/4" TRS send and receive connections, your choice of signal processor can be connected and switched in and out using the illuminated switch on the front panel.

Technical Specifications

Front panel, per channel

  • 1/4" instrument input
  • Variable input impedance - Low, ISA 110, Medium, High
  • Input selection - Mic, Line, Instrument
  • 0 - 30 dB/30 - 60 dB gain switch
  • Phantom power switch
  • Phase invert switch
  • 0 - 60 dB gain in 10 dB steps
  • 0 - +20 dB continuously variable trim
  • Variable high-pass filter with on/off switch
  • Insert point on/off switch
  • Eight-LED user-calibrated level meters
  • Single power switch

Rear panel, per channel

  • XLR-F mic inputs
  • 1/4" TRS line inputs
  • 1/4" TRS Sends
  • 1/4" TRS Returns
  • XLR-M line output
  • Single peak meter calibration dial
  • Single IEC power socket

Maximum Input and Output Levels

Maximum Output Level +24 dBu with a THD+N < 0.01% at 1kHz measured with 150 Ω source impedance and 22Hz/22kHz band-pass filter
Maximum Microphone Transformer Input Level +7 dBu with a THD+N < 0.7% at 1kHz measured at 0 dB of gain with 150 Ω source impedance and 22Hz/22kHz band-pass filter

Mic Input Response

Gain range 0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim
Input Impedance Switched Impedance setting
Equivalent Input Impedance at 1 kHz
Low = 600 Ω
ISA 110 = 1.4 kΩ
Med = 2.4 kΩ
High = 6.8 kΩ
EIN (Equivalent Input Noise) Measured at 60 dB of gain with 150 Ω source impedance and 22 Hz-22 kHz band pass filter -127 dB
Noise Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu
Signal-to-Noise Ratio Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu
Total Harmonic Distortion + Noise Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter < 0.0007% at 1 kHz
Frequency Response At minimum gain (0 dB) -0.5 dB at 10 Hz,?-1 dB at 135 kHz, relative to 1 kHz
At +60 dB gain -6 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz
CMRR (Common Mode Rejection Ratio) -94 dB for mic input at 60 Hz for max. output = +24 dBu
-91 dB for mic input at 10 kHz for max. output = +24 dBu
Crosstalk Channel to Channel Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB

Line Input Response

Gain range -20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim
Input Impedance 10 kΩ from 10 Hz to 200 kHz
Noise Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -97 dBu
Signal-to-Noise Ratio Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu
Total Harmonic Distortion + Noise Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter < 0.0002% at 1 kHz
Frequency Response At minimum gain (0 dB) -0.3 dB at 10 Hz, -1 dB at 80 kHz, relative to 1 kHz
Crosstalk Channel to Channel Line input, with I/P = 0 dBu, gain = 0dB @ 1 kHz input to channel A Channel B output?= -91 dB

Instrument Input Response

Gain range +10 dB to +40 dB continuously variable trim
Input Impedance 2 MΩ
Noise Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB) = -95 dBu
Frequency Response At minimum gain (+10 dB) -0.1 dB at 10 Hz,?-1 dB at 115 kHz, relative to 1 kHz
At maximum gain (+40 dB) -2.5 dB at 10 Hz, ?-1 dB at 110 kHz, relative to 1 kHz

High-Pass Filter

Roll-Off 18 dB per octave (3 pole filter)
Frequency Range Continuously variable from 16 Hz to 420 Hz (-3 dB)

Weight and Dimensions

W x D x H 480 mm x 280 mm x 44 mm
Weight 3.7 kg

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