ASM HYDRASYNTH DELUXE HSLX
The HYDRASYNTH DELUXE is the flagship Hydrasynth, offering a dual sound engine setup and the largest ASM PolyTouch® polyphonic aftertouch keybed to date. The user interface is designed with the utmost attention to detail and offers a rapid workflow
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Each of the two sound engines features 3 Oscillators, dual Wave Mutators and 2 filters, that can be configured in series or parallel. Both of the sound engines has its own separate balanced analog audio outputs. The tone generating capabilities are simply unmatched.
As for the performance capabilities, The HYDRASYNTH DELUXE has our proprietary 73-note Polytouch™ keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.
Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market… Today or ev
Dual Sound Engines
The HYDRASYNTH DELUXE offers 16 voices of polyphony in SINGLE mode, that can be split into two completely separate 8 voice sound engines in MULTI mode.
The two MULTI modes for separate sound engine operation includes KEYSPLIT which creates classic keyboard splitting between two patches, and DUAL which enables layering of two patches over the whole keyboard.
A dedicated balance knob for direct adjustment of the mix between LOWER and UPPER parts of the MULTI patch is available on the panel, as well as separate stereo audio outputs and MIDI channel assignments for true bi-timbral operation.
The tone generation capability is the heart of any synthesizer.
The oscillators allow you to choose from a selection of 219 single cycle waveforms.
Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, our oscillators 1 & 2 have our WAVELIST mode.
This mode allows you to pick and choose 8 waves, from our bank of 219, arrange them in the order you want, and then morph from one to another.
Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each MUTANT allows you to choose from the following processes:
FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.
Wavestack™ - creates 5 copies of the incoming sound and allows you to set a detune amount.
Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.
Pulse Width - This will pulse width modulate ANY input sound.
PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.
PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.
Harmonic Sweep - this will sweep the harmonics of the incoming sound.
PhazDiff - this takes the input signal, shifts the phase and then creates a difference result with the original signal
The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer/ filter routing
The Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.
The Mixer allows you to mix levels as well as pan the input source.
There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.
The filters can be set to be parallel or series for ultimate flexibility.
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.
The first filter has 16 different filter models, giving you multiple options for tailoring your sound.
The second filter is a 12db per octave has a continuous sweep from either low pass > bandpass >high pass or low pass > notch > high pass, similar to the way the classic SEM filter worked.
5 Low-Frequency Oscillators…YES, 5.
Much like our sound engine, the LFO’s are not ordinary by any means.
The Hydrasynth LFO’s feature a STEP mode that allows you to create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing amount of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms to choose from.
The LFO's all have delay, fade in, 3 triggering modes, smoothing, start phase, one-shot mode so that they can act as envelopes and BPM sync.
5 DAHDSR Envelopes……YES 5.
An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.
The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.
You can also loop the envelopes to create LFO’s whose shape can be voltage controlled in the modulation matrix.
The envelopes have the added ability to be triggered from multiple sources.
The modulation capabilities on the Hydrasynth are endless.
With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.
Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.
The Modulation matrix points themselves can also become modulation destinations.
Modulation sources & destinations include the CV Mod In & Out jacks as well as MIDI CC’s
In MULTI mode, the UPPER and LOWER part can have its own separate arpeggiator settings.
The arpeggiator allows for standard note arpeggiations but also has a phrase arpeggio built-in. Parameters like RATCHET and CHANCE will generate other rhythmic patterns with some randomness to add life and spontaneity to your performance
You can also modulate most of the parameters in the arpeggiator so imagine using LFO’s, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time.
CV/GATE - MIDI - USB
The HYDRASYNTH DELUXE can have separate MIDI channels assigned to its LOWER and UPPER part in MULTI mode. The CV/GATE settings will respond to the UPPER part.
There is the standard MIDI and USB/MIDI interfaces on the synth but we go deeper and allow the use of CV/GATE interfaces for connecting to the modular world.
It supports the standard voltages for Eurorack modulars, the 1.2V per octave Buchla standard, as well as some of the Japanese Volts>HZ products. The MOD in and outs allow for modulation from DC to full audio ranges, expanding your modulation capabilities.
Steel top and bottom
Aluminum side panels
- Note On and Note Off Velocity
4 octave (67 cm, 26.4”) Ribbon controller
- Pitch bend mode
- CC control mode – modulation source
- Theremin mode - triggers envelopes and plays pitch
- Continuous pitch or choose from multiple scales
5 banks of 128 MULTI mode patches
5 banks of 128 patches for the LOWER part in MULTI mode
5 banks of 128 patches for the UPPER part in MULTI mode
Support multiple CV/GATE standards
1v per octave +/-5V
1V per octave 0-10V
Hz to Volts +/-5V
Hz to Volts 0-10V
1.2V per octave
3V, 5V, 10V
Mod In/Out range
+/5V, 0-10V, 0-5V, 0-1V
Clock in and out
1PPS, 2PPQ, 24PPQ, 48 PPQ
Clock Voltage - 3v, 5V, 10V
Voice overflow mode for expanding voices with another Hydrasynth
Polarity sensing input
Supports USB MIDI In/Out
44.5” x 14.1” x 4.7” (inch)
|Vendor Item Number||HSLX|