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Audio Interfaces
PRESONUS STUDIO 192 MOBILE
$699

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Audio Interface/Studio Command Center
STUDIO 192 MOBILE
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Description

Built to create in the studio or on the go.

The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.

An integrated solution.

The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.

Superior sound.

Connect a Studio 192 Mobile and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

The Studio One in Studio 192 Mobile.

With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One® 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®. 

Remote control with UC Surface, too!

The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Great signal processors are a PreSonus tradition.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

Expandable when you need more I/O.

The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.

Get your hands on a Studio 192 Mobile.

The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. 

Now includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Technical Specifications

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.

Mac

  • Mac® OS X 10.8.5 64-bit or later
  • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
  • Intel Core 2 Duo (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • USB 2.0 port
  • Internet connection
  • Internal or external 7200 RPM storage drive highly recommended
  • 30 GB hard disk space
  • Monitor with 1366x768 resolution

iOS

  • iOS 9.3 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2?

Android

  • Android™ 5.0 (Lollipop) or later
  • Android smartphone (QMix-UC)
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

Technical Specifications

Mi?crophone Preamp 
Type XLR Female (via Combo), Balanced Remote
Maximum Input level (min. gain, 1 kHz@0.5% THD+N) +12 dBu, ±0.5 dB
Gain Control Range 60 dB, ±1 dB
Frequency Response (A-D) 10 Hz to 40 kHz, ±0.2 dB
Dynamic Range (min. gain, a-wtd) > 110 dB
Dynamic Range (mid. Gain, unwtd) > 105 dB
THD+N (min. gain, a-wtd) < 0.005%
Input Impedance 1.6 kΩ
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) < 128 dBu
Common Mode Rejection Ratio (1 kHz, +55dB gain) > 55 dB
Phantom Power +48V, ±3V, > 8mA per channel
Instrument Inputs 
Type ¼” TS Female (via Combo), Unbalanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +16 dBu ±0.5 dB
Gain Control Range 60 dB, ±1 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, a-wtd) > 110 dB dB
Dynamic Range (mid. Gain, unwtd) > 105 dB
THD+N (1 kHz, -1 dBFS, a-wtd) < 0.005%
THD+N (1 kHz, -1 dBFS, un-wtd) < 0.005%
Input Impedance > 1 MΩ
Crosstalk (1 kHz, channel-to-channel) < -80 dB
Line Inputs 
Type ¼” TRS Female (via Combo), Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, a-wtd) > 114 dB
Dynamic Range (mid. gain, unwtd) > 105 dB
THD+N (1 kHz, -1 dBFS, a-wtd) < 0.005%
Input Impedance 10 kΩ
Crosstalk (1 kHz, channel-to-channel) < -80 dB
Main and Line Outputs 
Type (Line Outputs) ¼” TRS Female, Impedance Balanced
Type (Main Outputs) ¼” TRS Female, Impedance Balanced
Maximum Output Level +18 dBu, ±0.5 dB
Frequency Response 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (a-wtd) > 112 dB
THD+N (1 kHz, -1 dBFS, un-wtd) < 0.005%
Output Impedance 51Ω
Crosstalk (1 kHz, channel-to-channel) < -80 dB
Headphone Outputs 
Type ¼” TRS Female, Stereo, Unbalanced
Maximum Output Level 150 mW/channel @ 60Ω
Frequency Response 20 Hz to 20 kHz, ±0.3 dB
Dynamic Range (a-wtd) > 103 dB
THD+N (1 kHz, -1 dBFS, un-wtd) < 0.005%
Crosstalk (1 kHz, channel-to-channel) < -80 dB
Signal Level LEDs 
Signal 1 -50 dBFS
Signal 2 -30 dBFS
Signal 3 -20 dBFS
Signal 4 -10 dBFS
Signal 5 -6 dBFS
Signal 6 -4 dBFS
Signal 7 -2 dBFS
Clip -0.5 dBFS
Digital Audio 
Host Interface USB 3.0 (backwards compatible to USB 2.0)
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
Bit Depth 24 bits
Internally Supported Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
ADAT Optical I/O ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]
S/PDIF I/O RCA female connections, supported up to 96 kHz
Word Clock I/O BNC connector, 4.5 Vpp @75Ω load
Clock 
Jitter <50 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in => 1 ps out)
Power 
External Power Adapter +12 VDC, 3.0A, center positive
Connector Type Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length
Physical 
Dimensions  
Height 1.75” (44 mm)
Depth 7” (178 mm)
Width 12.5” (317 mm)
Weight 5 lb. (2.3 kg)

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